IMAGE  EVALUATION 
TEST  TARGET  (MT-3) 


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1.1  l-^KS 


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HiotDgrdphic 

Sciences 

Corporation 


23  WEST  MAIK  STREET 

WEBSTER,  N.Y.  14580 

(716)  872-4503 


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CIHM/ICMH 

Microfiche 

Series. 


CIHIVI/iCIVIH 
Collection  de 
microfiches. 


Canadian  Institute  fo:  Historicai  IMicroreproductions  /  Institut  Canadian  de  microreproductions  historiques 


T«chnical  and  Bibliographic  Notaa/Notaa  tachniquaa  at  bibliogrcphiquaa 


Tha  Inttituta  hat  avtamptad  to  obtain  tha  baat 
original  copy  availabia  for  filming.  Faaturaa  of  thia 
copy  which  may  ba  bibliographically  uniqua. 
which  may  altar  any  of  tha  imagaa  in  tha 
raproduction,  or  which  may  significantly  changa 
tha  usual  mathod  of  filming,  ara  ehackad  balow. 


□    Colourad  covars/ 
Couvartura  da  coulaur 

□   Covars  damagad/ 
Couvartura  andommagia 

□   Covars  rastorad  end/or  iaminatad/ 
Couvartura  rastaurAa  at/ou  palliculAa 

□   Covar  titia  missing/ 
La  titra  da  couvartura  manqua 

□   Colourad  mapa/ 
Cartaa  gAographiquas  mn  coulaur 

□   Colourad  ink  (i.a.  othar  than  blua  or  black)/ 
Encra  da  coulaur  (i.a.  autra  qua  blaua  ou  noiral 

n   Colourad  plataa  and/or  illustrations/ 
Planchas  at/ou  illuatrations  an  coulaur 


D 
D 


n 


Bound  with  othar  tnatarial/ 
Ralii  avac  d'autraa  documants 

Tight  binding  may  causa  shadows  or  distortion 
along  intarior  margin/ 

La  re  liura  sarria  paut  causar  da  I'ombra  ou  da  la 
distorsion  la  long  da  la  marga  int4riaura 

Blank  laavas  addad  during  rastoration  may 
appaar  within  tha  taxt.  Whanavar  possibla.  thasa 
hava  baan  omittad  from  filming/ 
II  sa  paut  qua  cartainaa  pagat  bianchas  ajouttaa 
lors  d'una  raatauration  apparaiaaant  dana  la  taxta. 
mala,  lorsqua  cala  itait  possibla.  cas  pagaa  n'ont 
pas  *ti  filmtes. 


L'Institut  a  microfilm*  la  maillaur  axamplaira 
qu'il  iui  a  *t*  possible  da  sc  procurer.  Las  details 
da  cat  axamplaira  qui  sont  paut-Atre  uniquas  du 
point  da  vua  bibliographiqua,  qui  pauvent  modifier 
una  imaga  raproduite.  ou  qui  pauvent  exiger  une 
modification  dans  la  mithoda  normale  de  filmage 
sont  indiquis  ci-dassous. 


|~~1   Colourad  pagas/ 


Tl 
tc 


Pagaa  da  coulaur 


□   Pagas  damagad/ 
Pagas  sndommagias 

r~n   Pagas  restored  and/or  laminated/ 


Pagas  rastauries  at/ou  pailiculies 

Pagaa  discoloured,  stained  or  foxei 
Pagas  dicolories.  tacheties  ou  piquias 

Pagas  datached/ 
Pagas  d^tachtes 

Showthrough> 
Transparanca 

Quality  of  prir 

Quality  inigala  de  I'impression 

iRCludas  supplementary  matarii 
Comprand  du  material  suppiimentaire 


r~7\  Pagaa  discoloured,  stained  or  foxed/ 

I — I  Pagas  datached/ 

r^  Showthrough/ 

rn  Quality  of  print  varies/ 

|~n  iRCludas  supplementary  material/ 


T 

P' 
o 
fi 


G 
b 

tl 

si 

0 

fl 

s 

0 


D 
D 


Only  edition  availabia/ 
Saula  Mition  disponibia 

Pages  wholly  or  partially  obscured  by  errata 
slips,  tissues,  etc.,  have  bean  ref limed  to 
ensure  the  best  possible  image/ 
Las  pages  totalament  ou  partiailament 
obscurcies  par  un  feuillat  d'errata,  une  pelure, 
etc..  ont  iti  filmAes  A  nouveau  da  fapon  i 
obtanir  la  mailleure  imaga  possibla. 


0 


Additional  comments:/ 
Commentaires  supplAmentaires: 


[Printed  ephemera]  [4]  p. 


This  item  is  filmed  at  tha  reduction  ratio  checked  below/ 

Ce  document  est  film*  au  taux  de  rMuction  indiqui  ci-dessous. 

18X  22X 


10X 


14X 


26X 


30X 


y 


12X 


1«X 


20X 


24X 


28X 


32X 


Th«  copy  film«d  h«r«  Hm  bMn  r«produc«d  thanks 
to  th«  g«n«rosity  of: 

New  Brunswick  MuMum 
Saint  John 

Tho  imagM  appaaring  hara  ara  tha  baat  quality 
posaibia  conaidaring  tha  oondldon  and  lagibility 
of  tha  original  copy  and  in  kaaping  with  tha 
fiiming  contract  apacif icationa. 


Original  copiaa  in  printad  papar  eovars  ara  filmad 
baglnning  with  tha  front  eovar  and  anding  on 
tha  last  paga  with  a  printad  or  illuatratad  impraa- 
sion.  or  tha  back  covar  whan  appropriata.  Ail 
othar  original  copiaa  ara  fllmad  baglnning  on  tha 
first  paga  wKh  a  printad  or  Illuatratad  impraa- 
slon.  and  anding  on  tha  kMt  paga  with  a  printad 
or  illuatratad  impraaalon. 


Tha  iaat  racordad  frama  on  aach  microficha 
shall  contain  tha  symbol  — ^  (maaning  "CON- 
TINUED"), or  tha  symbol  V  (moaning  "END"), 
whichavar  appliaa. 

IMapa,  plataa.  charts,  ate.,  may  ba  fllmad  at 
diffarant  raductlon  ratioa.  Thoaa  too  iarga  to  ba 
antiralv  inciudad  in  ona  axpoaura  ara  filmad 
baglnning  in  tha  uppor  iaft  hand  comar,  iaft  to 
right  and  top  to  bottom,  aa  many  framaa  aa 
raqulrad.  Tha  following  diagrama  liiuatrata  tha 
mathod: 


L'axampiaira  fllmi  fut  raproduit  grica  i  la 
g4n4roait4  da: 

N«w  Brimwick  Museum 
Saint  John 

Laa  imagaa  suhrantaa  ont  4n4  raprodultaa  avac  la 
piua  grand  soin,  compta  tanu  da  la  condition  at 
da  la  nattat*  da  l'axampiaira  fiim4,  at  mi 
conformity  avac  laa  conditions  du  contrat  da 
fiimaga. 

Laa  axampiairaa  originaux  dont  la  couvartura  an 
papiar  aat  ImprimAa  sont  filmAs  an  commandant 
par  la  pramlar  plat  at  an  tarminant  soit  par  la 
darnf  Ara  paga  qui  comporto  una  ampralnta 
d'impraaalon  ou  d'illuatratlon,  soit  par  la  sacond 
plat,  salon  la  caa.  Tous  laa  autraa  axampiairaa 
s>ri^inaux  sont  fllmto  an  comman9ant  par  la 
pramMra  paga  qui  comporta  una  ampralnta 
d'impraaalon  ou  d'lliustration  at  an  tarminant  par 
la  damiira  paga  qui  comporta  una  taila 
ampralnta. 

Un  daa  aymbolaa  suh/ants  apparattra  sur  la 
damlAra  imaga  da  chaqua  microflch  j,  salon  la 
caa:  la  symboki  -*-  signifia  "A  SUIVRE".  la 
aymbola  ▼  signifia  "FIN". 

Laa  cartaa,  planchas.  tablaaux,  ate,  pauvant  Atra 
fllmto  i  daa  taux  da  rMuction  diffAranta. 
Lorsqua  la  documant  aat  trop  grand  pour  Atra 
raproduit  an  un  saui  ciichA,  il  aat  film*  A  partir 
da  9'angla  supAriaur  gaucha,  da  gaucha  A  droita, 
at  da  haut  an  baa,  an  pranant  la  nombra 
d'imagaa  nAcoiasaira.  Laa  diagrammaa  suivants 
llluatrant  la  mAthoda. 


1 

2 

3 

1 

2 

3 

4 

5 

6 

mmmm 


npiPP^;wwj^iin.Hiii»ip,MP<i,||i  I  ,  .. 


ACADEMY  OF  MFSIC, 


flElakii&%  CTolik'aiy  2^«  H^^ 


.■,7:«* 


JuEgDAY  iJvENINQ,    ^EB.   22,    1876. 


E  N  T  E  K  T  A I  K  M  E  N  T 


HY  TIIK 


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BANGOR,   MAINE. 


••• 


M.  H.  ANDREV7S, Mueical  Director  of  Klnetreley. 

WM.  R.  McQU3WN Musical  Director  cf  Extravaganza. 

EDW.  F.  ROBERTS,. ,,.Bti8ine83  Agent 

Bl-KH  *  RnBtKsoN,  Pkixters,  Bakook. 


up  J*  CB  Q  IT  lan  tin  ttn  ]^* 
— »-•-• — 

FAIiT    FIBaT. 

1.  OVERTURE... Anintfur  Minstrel*, 

2.  OPENING    CHORUS Ainiiteur  Minstrels. 

3.  R0SK8,  SWEET  RO?KS  AHE  DYINO* Oeo.  T.  Moody. 

4.  AUNT  JEMIMA Oeo.  W.  Flowers. 

6.  STILL  I  LOVE  THEE Chun.  D.  Clark 

6.  DAFFNEY,  DO   YOU   LOVE  ME  YET? J.  E.  M.  Sanford. 

7.  SADIE    RAY E.  C.  D.  Lunt. 

8.  H?  \  CONVENTION E.  M.  Hersey. 

FAMT   8ECONU>. 

SELECTIONS Andrews'  Orchpstra. 

BONE   SOL') J.  E.  M.  Sinford. 

A  FEW  MINUTES  WITH  TIJE  BANJO, C.  B.  Wyman. 


The  Evening's  Entertainment  will  conclude  with  the  Musical  Extrava- 
ganza, composed  and  arranged  for  the  Amateur  Minstrkls, 
by  WM.  R.  McQLOWN,  ol  Bangor,  eniitled 

"The  Hanging  of  the  Crane  F' 

OR 

ENOCH  ARDEN  OUTDONE. 

CHARACTERS. 

CATO,  (Second  husband  of  rhillis.) GEO.  T.  MOODY. 

vKr(\rvi    5  First  husb-uidof  Phillls,           1  ir  r  n  i  nnt 

li-NOCH,  ^  otherwise  known  as  the  Crane  \ *"  ^'  "•  '^""'^• 

JAKE,  An  old  Lover  of  Phillls, C.D.Clark. 

SAM,  H.  L.  Bass. 

UNCLE  LEW, C.  B.  Wyman. 

UNCLE  JOE, Geo.  W.  Flowers. 

STEPHEN  DECATUR, • E.  M.  HersCy. 

PAItSON  8N0WFLAKE, E.  E.  Small. 

PHILLIS, WM.  HODGKINS. 

AUNT  CHLOE J.  H.  Babb. 

ANN  ELIZA ..Muster Morrill. 

PU<EBE ' Master  MargesBon. 

Other  characters  by  the  Company. 

'Composed  by  W.  R.  McQucwn,  and  dedicated  to  the  Amateur  Minstrels. 


EXTRAVAGANZA 


OF 


"  The  Hanging  of  the  Crane  !" 


— • »' 


SYNOPSIS. 

Once  upon  n  time.  Enoch  nnd  Phlllis  were  mftrried,  but  owing  to 
••ini'ompallbility"  oreome  other  cause,  Enoch  was  tempted  to  leave 
the  charms  of  the  home  circle,  and  being  naturally  of  a  wandering 
disposition,  he  disappeared,  leaving  the  fair  lady  of  his  choice  en- 
tirely Ignorant  of  his  plans  or  purposes. 

Phlllis,  well  Itnowing  that  black  would  not,  in  any  way,  enhance 
the  beauty  of  her  complexion,  decides  that  mourning  would  be 
'•out  of  order."  ami  proceeds  at  once  to  business,  and  lays  seige  to 
the  heart  of  C'ato,  a  wealthy  neighbor,  very  high  as  to  tone  and 
color. 

"Unconditional  surrender,"  on  the  part  of  Cato,  is  followed  by 
their  marriage  in  due  Jorm,  Parson  Snowtlake  being  the  otficiating 
clergyman. 

The  curtain  rises  on  the  interior  of  Cato's  mansion  in  the  sunny 
Soutb.  Preparations  are  belMg  made  for  the  reception  of  the 
gnests  who' are  to  celebrate  the  first  anniversary  of  the  marriage 
of  Pbillis  and  C'ato. 

"Welcome  ne'glAors  de  pot's  a  Itllin', 
Quick,  01  de  bominy  '11  be  Bpilin 
He  and  Pbillis  feel  so  gay 
Bekase  it  am  our  wedding  day," 

is  then  sung  by  Cato,  after  which  be  proposes  that  his  guests 
amuse  themselves  in  such  a  manner  as  they  may  desire,  and  ap- 
points Parson  i-nowflak'e  Master  of  Ceremonies.  The  r  rson 
calls  for  the  singing  of  "Way  down  upon  the  Swanee  ^iver" ;  this 
is  followed  by  a  Banjo  Duet,  the  singing  of  "Up  dar  in  de  sky,"  by 
Uncle  Lew,  and  other  amusements,  pecuMar  to  such  gatherings  of 
the  oolored  people.  Jake  «namored  by  the  peieonal  cbsrms  of  his 
i'air  ho8t«s8,  expresses  his  admiration  in  the  sons, 

"Those  Witching  Eyes !  Those  Witching  eyes! 
That  shintis  the  deadliest  'neath  the  skys, 
Would  they  had  never  on  me  shone, 
For  1  their  power  too  well  have  known." 


C'ftto  then  sings  the  Baritone  Solo— 

"  Yc8,  gMls  iind  boys,  'tis  Jui*t  onn  yenr  ago 
ThHt  I  WHH  wed  to  fiiir  Ptiitlls  8novr, 
Aiu)  hII  my  friends  hiive  mude  u  Pui-Henim 
To  celebrate  dl»  8nnlver8iii7ttm." 

The  children  are  then  hronjjfht  m,  anO  aie  miich  nihnnkcd  by  the 
Company,  in  the  Solo  iind  Chorus. 

"Triplets !  By  Ouni  f  prooil  MrH.  PlilII, 
We'll  drink  your  iiealtli  nxi'in  witl)  ii  will, 
And  Hs  de«e  preciouH  dropi  we  swfll 
We'll  U8k  you  some  Hweet  notes  to  tiiil." 

Alter  silence  Is  scnred,  Phillls  singiithe  Soprano  Cayatiiia— 

"  De  nightinpale  sings  on  de  Iilgli  tree  top 
De  owl  bird  liootR  in  de  itHrtcnlng  louder. 
But  sweeter  de  n>UHic  dHt  ftdls  on  mine  emr 
Am  by  dose  dark  sk{uneiM>e»utteH  made," 

The  attention  of  the  Company  is  thtsn  attracted  by  the  voice  of 
the  returning  "Crane  "  (Enoch)  who  is  heard  singing  in  the  dis- 
tance, and  is  8niipui4ed  by  them  to  be  a  wanderii^  minstrel.  Ho 
is  invited  in,  and  at  the  earnest  solicitaticn  of  Mrs.  Phillla,  (who 
little  dreams  that  she  is  in  the  presence  of  her  former  hnsband)  is 
fnrniched  with  a  supper.  Ho  is  then  nrgotl  to  siHg.  by  Cako  and 
Pfaiilis  in  the  Duet  and  Chorus : 

■'Sing  minstrel,  sing  of  love's  «leliglrt, 
s:i)  4  minstrel,  sing  of  lovi-'^H  delight, 
A  h«!>py  pair  are  we  to-night." 

Enoch,  in  ro^'jionse  sings  the  Bass  Solo,  "When  dis  fair  form 
was  like  Apollo,"  hikI  to  the  siiiprise  of  all,  ends  by  claiming 
Phillis  as  his  lawfnl  wife. 

The  emotions  of  the  enraged  Cato,  AikV*  expression  In  the  Reel- 
tavo, 

''T  know  you  now,  untew  I  speak  too  plain, 
You  am  de  cha|)  day  calls  de  Crane,."  _ 

And  his  indignant  IViends  in  clioru?  cry.— 

"  Seize  Idm !  Peize  him !  Ac." 

Preparations  for  slaughter;  Dett*int  conduct  of  the  "Cyane." 
Tableau  and—— 


not  deacidified 


